After reading the first chapter of Jenny Odell’s book, “How to Do Nothing”, I would define Odell’s project as a writer as to help her readers “do nothing” or simply try to relax or find their peace in the world and to find the inner beauty within the world itself, such as Odell herself going to the rose garden after the 2016 election and describing it as a survival tactic and a “beautiful garden versus terrifying world”. Regarding the aim of Odell’s project as a writer, I would say Odell is trying to motivate her readers to not see the world as bleak and hopeless as it might seem sometimes, and instead find their peaceful activity where they can “do nothing”, such as Odell going to the rose garden to get away from her computer and do most of her work. Odell also explains that “to do nothing” acts as a “deprogramming device and as sustenance for those feeling too disassembled to act meaningfully” This shows that Odell’s overall message to her readers is that by doing nothing, they will most likely be reinvigorated and compelled to do something meaningful.
Odell uses various pieces of art as examples to emphasize her point throughout the first chapter. One of which is by Elanor Coppola, a documentary filmmaker, in 1973 and was called Windows, which involved a map of windows throughout San Francisco. The point behind it was that what happened behind each window had their own story and the project was used to bring attention to the community as a whole. Another project mentioned was by Pauline Oliveros, a composer, who developed performances where people listened to and improvised responses to each other and the ambient sound environment, which brought attention to the act of Deep Listening. Oliveros explains deep listening to be “listening in every possible way to everything possible to hear no matter what you’re doing”. Odell exposing this to her readers shows that she wishes for them to be able to appreciate the things around them by listening and experiencing them fully.
Odell shares many of her own experiences with the readers to emphasize her point. One such experience is Odell’s explanation of bird-watching. Odell explains that deep listening has a huge part in bird watching because it requires you to take in everything around you to locate the birds, as well as being able to identify specific birds based on the type of call you can hear. Odell also mentions the experience of her learning that her mother spoke three languages, not two. Odell explains that whenever she heard her mother talk to another Filipino person, she was speaking Tagalog, but she was also able to speak Ilonggo because she is from the part of the Philippines where this language is spoken. This shows that Odell wants to emphasize the importance of focusing on the world around you and to appreciate it.
One of the main ideas that Odell presents in the chapter is from a passage from Gilles Deleuze in Negotiations, which is “were riddled with pointless talk, insane quantities of words and images. Stupidity Is never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; what a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying.” Odell then goes on to explain that saying and doing nothing is a necessary part of meaningful thought and speech, which shows that Odell wants to explain that doing nothing is a natural thing for her readers to do and that it will actually help them compose themselves.
Throughout the chapter, Odell connects the examples that she has made and forms them into a line of thought by structuring them and continuing to use ideas from them later on in the text. Such as Pauline Oliveros’ act of deep listening which Odell connects to her experience bird watching and explains how they are deeply connected. Another comparison Odell makes in the chapter is that of John Muir and her own father. She explains how Muir believed life was too brief and uncertain and caused him to leave his job at a wagon wheel factory in pursuit of something greater. Odell compares Muir to her father because her father left his own job when he was her age and taught himself things like how to play the flute, studied math and electronics, and realized most of the anger he felt towards his job was more to do with himself.
In conclusion, I would define Odell’s project as a writer to encourage her readers to appreciate and notice the world around them through her aims of explaining the nature of “doing nothing”, the examples and ideas she used to provide reasoning and understanding for her point, and her methods of comparing ideas and her own experiences.